There are two neckline fastenings to choose from…..

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Frida dress named after the one and only Frida Khalo of course. A woman known for her fashion style as well as her work as a remarkable artist.

Frida can be made into a top, dress or maxi dress as shown in the pictures above. It has one (top version) or two frill tiers (dress version), with a keyhole neckline with either ties or a loop and button fastening at the neckline. There are two side pockets and sleeves which are three quarter length elasticated for the dress or short fold back cuffs for the top. Please see the chart below for the finished garment measurements.

This is an easy pattern for beginners with some previous sewing experience. Techniques involved are gathering up the frills, inserting ties, a facing, I think theres nothing too difficult involved – its a really fun project to sew. If you feel a bit daunted by the tie/loop insertion, take a peek at the video tutorial that I have linked to this blogpost.

Fabrics suitable for making Frida are cotton (African fabrics are great), denim chambray, ramie, viscose and lightweight linen. Please see the chart below for fabric requirements.

The pattern instruction booklet will show you the pieces to cut out according to your fabric width, using the layplans as a guide.

SEAM ALLOWANCE IS 1cm

Here are some of the stages of making up Frida to show you how its done.

HOW TO MAKE FRIDA

FIRST PREPARE THE TIES OR LOOP

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MAKING THE DARTS

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JOINING THE FRONT TO BACK

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FACINGS

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INSERTING THE TIES OR LOOP

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SLEEVES

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FRILLS

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HOW TO MAKE ADJUSTMENTS TO THE ARMHOLE FOR A SLEEVELESS VERSION

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Please ask permission before copying any imagery prior to use. Thank you.

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Orla dress is a style that I designed quite a while ago and it proved such a classic style, I decided it just had to join the Sewgirl collection.

So let me describe this dress, so as well as being insanely stylish, it is also a very easy relaxed dress to wear. Its trapeze shape allows you lots of movement, so you can eat what you like without feeling constricted. With two side pockets (who doesnt love a sidey) and a choice of two dress lengths and two sleeve lengths, the Option A has a buttoned placket detail at the neckline, edged with bias binding to give it a retro feel or Option B has an alternative simple neck facing.

Both options have a back neck opening.

This is an easy pattern to make up, however, the placket detail is probably a little more tricky, so if you have had some experience attaching bias binding you should be ok.

I would say this dress really suits bold prints but it also looks great in plain linens or viscose/linen mixes or the blue and white one (with red trim below) is a voile that I bought from slubbedprints.co.uk who have a wonderful collection of hand block print cotton fabrics from India. You can really play around with matching up one of the colours in your print or using a complete contrast colour binding as I have done here.

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Some other versions of Orla that Ive made in bold prints.

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Here are details about fabric requirements, size info and finished garment details.

So you will also need some equipment like a loop turner or a large eye blunt ended needle, tacking thread and needle, an iron, a good pair of dressmaking scissors and a stitch ripper for any back tracking you may need to make!

HOW TO MAKE ORLA

Here are some pictures and text to give you an idea about how this dress is made before you buy.

CUTTING TIP FOR FABRICS 112cm WIDE SIZES 20 & 22

Just one tip before you start cutting out your fabric pieces on a narrower width fabric, if you are cutting out sizes 20+ you may not have the width at the lower edge, my advise would be to add a square of fabric extension on the lower selvedge edge to compensate.

The Front and Back are joined at the shoulder seams and topstitched.

OPTION A

The pattern gives you lots more details about how to do the binding.

ORLA DRESS VERSION B (with a simple neck facing)

So with Option B you don’t insert a placket or use bias binding around the neckline like you do with Version A. I thought that some people would like to try it without the binding, so here are a few illustrations to give you an idea about how its done.

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Woohoo! Here it is! A fab pair of loose fitting dungarees, inspired by one of my all time heros… Doris Day! Here she is, what a woman!

These dungarees are designed to feel comfortable as well as stylish. Make them in denim will give them a practical utility look or linen for being a little more on the classy side. Wear them with pumps, sandals, flip flops, clogs or boots and a crisp plain or stripy tee underneath or maybe even a pretty floral top (Peggy) underneath also looks fab.

I have a growing collection of suitable fabrics on my Etsy shop such as 8oz denim and linen in lots of gorgeous colours, so take a peek, you might be tempted.

There is also a kit available, containing the pattern, choice of linen or denim fabric, interfacing, buttons and thread all packed up in a lovely kraft bag.

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HOW TO MAKE DORIS DUNGAREES

please note that this is a guide only, the pattern instructions are in a slightly different order

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Please do not copy or use any images on this blog without prior permission. Thank you!

So this skirt was inspired by a one I made for myself that I literally wore out, I loved wearing it so much. It’s my go to skirt for knocking about everyday, working in, going out on my bike, walks, you name it.

And those pockets are just SO practical!

Martha Skirt is a great denim project or, as you can see from the pictures, perfect when using a dynamic printed cotton teamed up with a plain fabric for the band and pockets. This print is an african Wax print which (for those that know me) I’m a big fan of.

I find such pleasure choosing the colour to match the print. In my books, this is one of the things that makes sewing such fun. You are going to have a unique garment that you have created for yourself! What’s not to love!

So, if you have chosen to use two different fabrics, make sure to use similar weights, but if you. like me, want to use something a bit heavier for the band (i.e. 8oz denim) then just balance out the main fabric with some lightweight lining fabric like a cotton voile or maybe even some woven fusible interfacing. I just cut out another upper Front & Back skirt piece only, pin to the reverse side of the three pieces, stitch together all around at the sides, then continue as if its one piece of fabric.

Here is the info you need about sizing, finished garment measurements and fabric requirements….

You also need an 18cm (7″) zip and 20cm of medium/lightweight interfacing and a reel of thread.

Equipment: A zip foot machine attachment, poking tool. I like to use a tailors ham too but its not essential.

SEAM ALLOWANCE IS 1.5cm

So, kicking off, Martha Skirt has two darts on the Back piece top edge.

DARTS

ALL ABOUT THE ZIP

Martha has a zip inserted into the back seam, so you will need to pop your zip foot on your machine. If you don’t have a zip foot you can always hand sew a zip into the back seam.

The pattern gives instructions about how to insert a ‘centred’ zip into the back seam, which I think is the simplest zip insertion of all, but you might prefer to use a ‘lapped’ zip technique or better still a concealed zip.

I have a separate blogpost called ‘How to insert a concealed zip’ which will show you how to do one, using just a standard zip foot attachment.

Inserting zips is not difficult when you know how. Once mastered your (sewing) life will be transformed and hopefully (like me) it will be the bit you look forward to the most (not kidding honest!).

So, if you have chosen to add a lower band for the longer length version, either in contrast fabric or main fabric, you will need to first hem the Lower back band pieces at the side edges.

For the Short Skirt version continue to the Pocket section.

POCKETS

FACINGS

Fold the facing to the reverse side, pushing out the corners at the top of the zip.

Pin the facing to secure it on the reverse side. Stitch the facing all around, close to the outer edge. Press.

Finally a bit of hemming on the lower edge of the skirt and bobs your uncle! There you have it!

All images are copyrighted by Fiona Hesford – Sewgirl.

Please do not copy or use any images without prior permission.

Click the image above to take you to the Etsy shop

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So the one rectangle you need to cut depends on the size you are making as follows:

Size 8= 9cm x 49cm

Size 10= 9.5cm x 50cm

Size 12= 10cm x 51.5cm

Size 14= 10.5cm x 53cm

Size 16= 11cm x 54cm

Size 18= 11.5 x 55cm

Size 20= 12cm x 56.5cm

By the way, if you are getting pilling with your boiled wool, Ive read that it helps to spray the fabric with hairspray- I haven’t tried it myself but Im going to give it a go.

Here is my blogpost about my three hat patterns, Brompton military style hat, Chelsea Baker boy hat and Brighton bucket hat.

I really love making hats! Tweed ones or cotton prints, denim and velvet or needlecord, a hat is an all year round wardrobe essential for any occasion and time of the year.

This blog will show you some of the step by steps to give you an idea about whats involved. To buy any of the patterns, please click any of the Etsy shop links.

Sewgirl hat patterns are available either as a PDF digital downloads or as a paper pattern (link above to my Etsy shop). All hats can be made in sizes small, medium or large. To measure your head diameter, extend a tape measure around your forehead and above your ears.

SMALL = 55cm, MEDIUM = 57cm, LARGE = 59cm

Suitable for sewists with some previous experience

EQUIPMENT REQUIRED: tailor’s ham, pinking shears, pins / quilter’s clips, stitch ripper and a poking tool.
Insert a walking foot attachment on your machine if you have one, which will make it easier to sew.

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HOW TO MAKE THE BRIGHTON HAT ETSY SHOP LINK

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HOW TO MAKE THE BROMPTON HAT

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ETSY SHOP LINK

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ETSY SHOP LINK

HOW TO MAKE CHELSEA HAT

So this ‘Chelsea’ baker boy style hat is similar to the Brompton Hat and possibly a more classic style, with its segmented crown, side band and peak. This is an enjoyable project, quick to make, I wouldn’t say any hat project was a beginners project, it can be a tad tricky with bulky seams when inserting the peak, which is why I recommend a walking foot attachment (if you have one), but why not have a go! Its so satisfying and once you get the hang of it, you will want to make one for all your friends and family.

The main difference between the two hats is the Crown. The Chelsea Hat Crown is made in segments like a chocolate orange. (yummy!). Suitable fabrics you could consider: Tweeds, corduroy, cotton, denim so its a hat for all seasons.

Please note that the pattern includes one 29mm self cover button, if you need any more for making a hat for friends and family, you I have some available in the haberdashery listing on my shop as well as fusible interfacing by the metre.

The Crown pieces, when they are cut look like this. There are 6 of them in outer fabric and 6 in lining fabric and they are interfaced either with medium fusible interfacing or fusible fleece wadding (Vlieseline H640) for warmth or just some batting with something like a spray textile glue or bondaweb to fuse the interfacing to the outer fabric pieces. You also need the Band piece and the Peak pieces.

The crown pieces are assembled like this….

So after you have the Crown outer and lining, you make the Peak and the Band in the same way as with the Brompton Hat. So scroll up to see this bit.

Pin the Crown lining to the outer Crown/Band/Peak piece.

So here we are at last…..a long awaited top!!! Yaaay!

This one is so chic and versatile too, you can dress it up or wear in a relaxed weekend sort of way. I’ve made the short version in a cool cotton voile and the long sleeved version in a snuggly cotton/linen denim look twill which is lovely and soft. Both these fabrics (and Peggy top pattern) are normally stocked on my ETSY SHOP subject to availability.

Peggy top can be made in two different sleeve lengths, long or short. You can either just hem the sleeve edge, as shown in the above left picture or add an elasticated channel as shown in the right hand picture to make a lovely subtle puff sleeve effect. It also has a nice side slit opening, so its very comfortable to wear.

SEWING STREET YOU TUBE DEMO 

The top pattern kit looks like this and comes with fabric, pattern templates, instructions, a piece of elastic, interfacing and a self cover button all packed up in a recycled kraft bag with handles. Yummy!

Suitable fabrics are: light/med weight cotton, viscose, polyester, cotton/linen mixes, fleece back cotton jersey.

So let me talk you through this easy to make top. Well, its round necked, boxy shape with bust darts and a rather nice back neck loop and button opening (see below).

Peggy top is suitable for adventurous beginners, so maybe you’ve cut your teeth on cushions and bag projects and would like to try some simple dressmaking, well this would be a perfect starter pattern as its really quite a straightforward make. Why not take a look at this condensed tutorial blogpost and it will give you an idea about whats involved.

Here are some measurements for you to check over. The pattern is good for sizes 8-20 by the way. If you need to make adjustments to the pattern, check out the tutorials such as Adjusting a Bust dart.

Seam allowance is 1cm (3/8″), however if you prefer to use a 1.5cm (5/8″), then just add 5mm to the outer edges (except for those which are ‘Place on fold’).

Finish raw edges with a zigzag stitch or an overlocker.

You may like to use a contrast colour thread for the topstitching, as I did with the long top to get that ‘jeans’ stitch detail. You don’t need a special topstitch thread in particular, just a colour that will show up).

CUTTING GUIDE – are all shown in the instructions booklet.

HOW TO MAKE PEGGY TOP

On the pattern you can see lots of lines for each Dart size. Each size has two lines: one (outer line) is the ‘cutting’ line and one (inner line) which is the ‘stitch’ line. See the diagram below, Ive marked size 8 Dart lines in yellow (cutting line) and pink (stitch line), to show you more clearly. Its a good idea to mark the required two lines as I have done on your pattern to make them easier to see.Fold the dart so that the RST(right sides together) and the dart raw edges are aligned. Mark your stitch line using a ruler and pencil which runs 1cm parallel to the cutting line.

Finish the raw edges of the centre back. Sew the back pieces together with the right sides together, leaving the top section unstitched. Press.

 

SHORT ELASTICATED SLEEVES (For long sleeves scroll down to the next section….)

LONG ELASTICATED SLEEVES

Self cover buttons… (who doesn’t love a covered button? )

Here she is! A long time coming, but we finally got there. The very fabulous Betty dress pattern ta dah!

Now I have to admit, I don’t normally make many things in pretty pink colour, I’m normally a practical blue kinda girl, but I do think this colour shows up the detail of the dress quite well, so thats what I went with.

So what can I say about Betty…. well, she is very easy to make, oh so comfortable to wear and well, just lovely really. She’s V-neck, button down (more about that later) with a gathered skirt section on to quite a loose fitting slightly dropped waistline, a curved detail on the side hem is a bit like a shirt style, rolled back sleeves and two patch pockets. The tie belt is optional of course, below shows you a photo of one I wear with a rather smart leather belt (link to where you can buy one at the end of this post.

Now lets talk about buttonholes. There are some people who may be put off by them or don’t want to be bothered with these small but ever so terrifying things, but fear not! Betty can be made without them quite easily. You can pop Betty on with just stitched on buttons. Do you see the blue version below? well that’s exactly what I did with this one, I wanted to live with it first before committing to them, but I’m not sure I will ever get around to doing them but hey whose going to notice!

Or, my friends, you may like to make a Betty Hack ! Its Oh so easy and I think I love this version even more than the button down version.

So this hack is even easier to make, Its got no buttons on the skirt, just on the bodice and Ive shortened it a bit too by taking  2cm off the bodice lower edge and 2cm off the top edge of the skirt. Ive popped a little tutorial at the bottom of this post so just scroll down and you will find it.

So Betty is great in all sorts of patterned and plain medium weight cotton fabrics, linen and linen mix fabrics and soft lightweight denims. Here are some links to fabric companies who stock suitable fabrics.

LINEN FABRIC 

THE DENIM COMPANY

The linen shown above is available to buy from the Etsy shop.

Heres the very lovely Amy Scarr, ex-editor of Love Sewing magazine, in her printed cotton lawn versions of Betty dress, which look just great. You can follow her sewing adventures on Instagram @almondrock_sews or almondrock.co.uk.

Fabrics courtesy of Atelier Brunette (pic 1) and Lady McElroy (pic 2).

You can similar find fabrics at  FABRIC HQ or FABRIC GODMOTHER

BUY PATTERN 

Here is all the info about sizes, finished measurements and fabric requirements.

SEWING A BETTY DRESS

Seam allowance is 1cm. RST= Right Sides Together.

Before you start here are some pattern cutting tips.

Making adjustments to Betty

You may want to make the bodice or skirt section shorter or longer.

So, if this is the case, firstly, measure for your size according to the pattern size info (shown above). Then you need to measure yourself for the desired bodice length from top of the shoulder to the desired length. Now add on 2cm to this measurement for the seam allowances.  Next, compare this length to the pattern and you may find that you require a shorter/longer length from one of the other sizes. I prefer to fold back my pattern to the desired line to keep it intact, but if you are drafting your pattern, you just trace the required line.

If you adjust the bodice length, remember its going to make the dress shorter or longer so check that measurement is good and you are happy with the adjustment. If you need to make the skirt section shorter or longer do so at the top edge of the skirt section. Its gathered at the top edge so any extra width will be lost in the gathering.

Finally adjust the button positions accordingly.

HOW TO MAKE BETTY DRESS

JOINING THE SHOULDERS

Joining the shoulder seams. Finish the raw edges, pressing towards the back. Topstitching.

SKIRT SECTION

Sew the front to back at the side edges with the RST. Finish the raw edges.

Sew the skirt together at the side edges with the RST. Press.

Gather up the fabric at the top edge of the skirt section.

Attach to the bodice with the RST. Press the seam allowance upwards. Topstitch on the bodice side.

FACINGSJoin the facings front and back at the short edges with the RST. Press open. Finish the outer edge.Pin to the centre front and back neck edge. Sew. Press the facing away from the body. Understitch.

Fold back the facing at the centre lower edge with the RST. Stitch across 1cm up from the lower edge. Trim across the corner, then turn inside out, pushing out the corners with a poking tool.

Press the facing to the reverse side all around. Pin. Hand tack. Top stitch on the reverse side close to the outer edge to secure the facing.

POCKETS

Make your pockets by hemming the top edge and finishing the outer 3 edges. Press over 1cm at these 3 edges.

Pin to the body. Hand tack stitch. Topstitch close to the edge.

SLEEVES

Fold over a 4cm hem at the sleeve edge. Press. Pin. Stitch.

Fold back 2cm. Press. Secure with a few hand stitches at the underarm cross seam to secure if required.

Make your buttonholes, use the position on the template as a guide.

Make your 3 tabs by pressing inwards 1cm each long side, then fold in half. Press, stitch down each long side. Fold up 1cm each short end. Pin to the dress at the sides and centre back. Stitch across the top and lower edge to secure.

TIE BELT

Join the belt pieces together at the short sides with the RST. Press the seam allowances open.

Fold in half so the long edges are matching with the RST. Press. Stitch down one long raw side and across the short diagonal sides, leaving approx 4cm opening at the centre point for turning inside out. Trim the seam allowance to 5mm.

Turn inside out through the opening. These loop turner tools are really useful for this.

Press. Topstitch all around the outer edge, which seals up the opening at the same time. Tie in a lovely big bow and woo hoo…..ready to go!

Or attach a nice leather belt .

BETTY HACK- heres how

To make the dress with no buttons on the skirt section is really easy. Just cut two back skirt pieces (on the fold) instead of the front piece, so you just have two back skirt pieces altogether.

To save on fabric, cut the Bodice Back as two pieces, so instead of normally placing the pattern against the fold, add a 1cm to the centre back edge and sew the Back pieces together. Finish the raw edge.

Shorten the facing piece to make it the same as the bodice in length. Follow the pattern as above, but gather the back and front together in one piece and attach to the bodice, making sure the front section is crossed over correctly beforehand. Here is a summary of how to do it.

If you are interested in buying a Betty dress pattern, here is a link to the Etsy shop listing. I’ve got lots of other patterns too which you may like to check out.

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Copyright Fiona Hesford. 2020. Please do not copy any images from this post without prior consent. Thank you.